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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Friday, March 20, 2009

Nigel Stanger Update by Germaine

Dear Lance, We are so grateful that you remembered Nigel on the tenth anniversary of his death. His daughters, son in law, grandchildren and I, spent the 15th of March in Beadnell where his ashes are buried. It was the place he spent his teenage summers. I doubt Nigel played alto behind the WI hut, although I remember him talking of doing other things there and of singing "For those in peril on the sea', whenever his father tempted him out in his sailing dingy.
Nigel said they were only ever fifteen feet from shore and people, attracted by the volume of his singing, would wade in to rescue him. Nigel got his own back when he and his father played, (with undisguised rivalry,) 'The Entrance of the Queen of Sheba' on a couple of grand pianos. They fitted together like jig saw pieces.
I met Nigel's father when I was singing with the Johnny Taws trio, at the Gosforth Park Hotel. He told me of his pianos and that his son played jazz. I was, and indeed am, generally unimpressed by the number of pianos people own, or indeed, offspring claiming to be jazz musicians, however I became interested when, shortly afterwards, I heard Nigel play. He was with his quartet at a Newcastle Big Band gig in Eldon Square, at which I too was performing. I thought Nigel was showing off. Later I knew that it wasn't 'showing off,' merely brilliant musicianship. There was no distance between player and instrument, they were one. Later I understood the extent of Nigel's creativity, which encompassed playing, in addition to alto and tenor saxophones, piano and Hammond organ. He also had great skill as a writer and an architect. He had degrees in both English and architecture.
To his family and friends however, it is possibly his humour that is remembered on an everyday basis, he was a very witty man. His command of English, coupled with physical expressions, generated so much laughter we were helpless for much of the time. This humour was what drew Nigel and Chas Chandler together, years after they played in the 'Animals’. The outcome of that friendship (and copious giggling,) was the Newcastle Arena. Sitting in the Collingwood Arms, Jesmond, designing the future on the back of an envelope, during a game of chess.
Alex, Jessica, Ben and I were still laughing when Nigel was very ill in hospital, saying things like the WC Field's classic, "On the whole I'd rather be in Philadelphia," or as Madeline Chandler reminded me this morning, "I married a torch singer who turned into a fell walker,when I wasn't looking.'
His humour helped to hide the hideous brutality of a cancer that killed him at the early age of 56. So, when we all gathered around his grave, in the sunshine, last Sunday, it was with great sadness, with love and with laughter. We apologized to him for being unable to bury a vast quantity of booze in his grave, for going for a slap up lunch without him, and for playing in the sand with the granddaughters he never met. They call him Grandpa Nigel. I can almost hear him say "I can't be called Grandpa. I'm a mere boy and my name, to them and everyone else, is N I G E L, or on second thoughts, WJN Stanger sounds OK. I used to play the saxophone you know. Unfortunately, there's very little call for it here. It would help if John Pearce, Alfie Parker, Ronnie Pearson, Pat Crumly, Alexis Korner, Lyndolph D'Oliveira and Malcolm Saul could drop in." Is this Ok Lance? I was so very glad you remembered. We think the photograph of Nigel clapping is terrific and we haven't got a copy???
All best. Germaine.

1 comment :

Anonymous said...

Wot no bass player? Or is he keeping the gig open for Sting?

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