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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: East Coast Swing Band @ Morpeth Rugby Club. 7:30pm. £9.00. (£8.00 concs).
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free. ‘Opus de Funk’ (a tribute to Horace Silver).

Tue 30: Celebrate with Newcastle Jazz Co-op. 5:30-7:00pm. Free.
Tue 30: Swing Manouche @ Newcastle House Hotel, Rothbury. 7:30pm. A Coquetdale Jazz event.
Tue 30: Clark Tracey Quintet @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.

Tuesday, May 14, 2013

CD Review: Deborah Latz - Fig Tree.


Deborah Latz – vocals; Jon Davis – piano; John Hart – acoustic & electric guitars; Ray Parker – double bass; Willard Dyson – drums, percussion; Peter Apfelbaum, tenor & soprano sax, flutes, percussion, Abdoulaye Diabate – voice on She Was.
(Review by Debra M.)
Fig Tree, Deborah Latz’s third album, comprises vocal jazz classics plus a number of World Music - flavoured songs, mostly original compositions. The opening   Blue Skies has a laid back, slightly funky groove. Other stylishly delivered standards  include; Hi-Fly, You’d be so Nice to Come Home to and S’wonderful, the latter featuring Ray Parker who can be heard  vocalising  his  solo.
The Brooklyn based singer has made the most of her top notch ensemble, with Parker and Jon Davis making compelling contributions, especially in duets with the vocalist. Embraceable You, by far the shortest track, is sung virtually acapella with Parker soloing on double bass throughout. This stripped down arrangement highlights Latz’s heartfelt interpretation of the lyric, as well as the purity of her tone and fine vocal control. She is also a linguist, and  is at ease with Latin rhythms, giving a relaxed rendition of Corcovado and E Luxo So in Portuguese, and of the Hellenic  folk song  Fevgo in Greek.
The guest multi-instrumentalist Peter Apfelbaum plays a treat, with a gorgeous tenor sax solo on Ill Wind, as well as making significant contributions to Latz’s originals. 
She Was,  an unusual  musical eulogy to her stepmother,  begins with a soundscape of percussion, bass and flute evoking a storm, which resolves into the sound of the ocean. It also features the Malian singer Abdoulaye Diabate, providing distinctive vocal contrast while Latz  explores the soprano end of her range. You Are, another unconventional composition,  dedicated to her husband, articulates her devotion through a sung love poem and Apfelbaum’s responsive, delicate and fluid tenor. And in the swinging  title  track, everyone has some fun  while  Latz’s “whimsical” lyric describes various animals getting together and hanging out under the Fig Tree. Her vocal improvisation is a menagerie of whistles, purrs, meows and growls, giving  an overall effect of ‘Johnny Morris meets Jazz’. Not a track for the purists, but possibly an amiable introduction to the genre for children…..
The 2 strands of this album - jazz standards, especially ballads, and original compositions / World Music - don't quite meld together. However they do  illustrate  the quality and distinctive nature of Deborah  Latz’s repertoire.
Deborah Latz - Fig Tree is available from May 7, 2013
Debra M.

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