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Bebop Spoken There

Béla Fleck: “ And that's the great thing about live performances, you take people on a journey. It doesn't have to be like something else they've heard. It's not supposed to be". DownBeat, April, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Friday, July 17, 2015

Benny Goodman and Glenn Miller at Carnegie Hall 1939 @ The Gala Theatre, Durham. July 16

(Review by Russell).
Durham Brass Festival 2015 presented a recreation of the legendary 1939 Carnegie Hall showdown between Benny Goodman – the King of Swing – and the latest challenger to his throne – Glenn Miller. The Gala Theatre near to capacity, the band’s MC Pete Long said it seemed rather odd to be playing a concert at two o’clock on a summer’s afternoon. The orchestra comprised many of the big hitters on the London scene. As the band struck up Don’t Be That Way it was with an unoccupied trombone chair, obvious for all to see. Thanks to the inadequacies of the rail network Callum Au was nowhere to be seen. Long suggested the audience applaud upon his arrival. Two numbers in…huge applause as the casual Au strolled out and took his seat in the section for the first set (a Goodman set).
The band restored to a full compliment, One O’clock Jump made the joint jump. Trumpet section work of the highest order, led by Nathan Bray, featured the first of several superb solos from George Hogg. To their left stood Ryan Quigley – the betting was he wasn’t on the gig for the ride. A box of fire works was surely at his feet.
MC Long is a fine soloist. He featured in a Goodman trio setting on China Boy – clarinet, guitar and drums. Long also possesses a dry, witty line in repartee. He introduced the boy band singer…the ever-youthful Chris Dean. A tremendous trombone player, Dean could sing alright. The Goodman set flew by…Down South Camp Meeting (cue innuendo from the mischievous Long) and a scorching Sing Sing Sing brought the curtain down on a fine first set.
Interval chatter in the bar – a good set, great players…oh, Miller next! Well, don’t knock it ‘til you’ve tried it. Moonlight Serenade – the first few bars, then Running Wild with big tenor from Dean Masser. A further vocal feature for the boy band singer Chris Dean on a well received Stairway to the Stars highlighted Pete Long’s observation that the musicians on stage at the Gala were the same – first set, then second set, yet the sound was different due to their musicianship and the material they were playing. Long’s comment that Miller delivered a punter-friendly sound, and that he was clever in doing so, registered with your reviewer. Goodman played jazz, but so too Miller in his own way, with, as Long said, ‘the rough edges taken off it’. Certainly this ‘mature’ Gala Theatre audience loved every tune, be it Goodman or Miller. Discerning? Who cares? In the Mood…walking sticks waving, zimmer frames discarded, they were up – slowly – reliving something or other. A finale heard the same tune twice. Clever stuff from Long. Bugle Call Rag Miller-style, then by way of comparison, the Goodman take. Hear the difference! Hear Ryan Quigley. Didn’t you know he’d try and blow the roof off?!
The main man driving, if not conducting, the whole thing, Richard Pite gave a flawless performance. One remarkable feature of this Durham Brass Festival concert…the entire band played acoustically, including double bassist Calum Gourlay! It just goes to show, volume isn’t everything. A rare treat.    
Russell.
Pete Long (MC & clarinet), Dean Masser (tenor saxophone & clarinet), Paul Nathaniel (tenor saxophone & clarinet), Colin Skinner (alto & clarinet), Peter Ripper (alto saxophone & clarinet), ? (alto saxophone & clarinet),  George Hogg (trumpet), Nathan Bray (trumpet), Ryan Quigley (trumpet), Chris Dean (trombone & vocals), Andy Flaxman (trombone), Callum Au (trombone), ? (guitar), Bunny Thompson (piano), Calum Gourlay (double bass) & Richard Pite (drums)

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