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Bebop Spoken There

Béla Fleck: “ And that's the great thing about live performances, you take people on a journey. It doesn't have to be like something else they've heard. It's not supposed to be". DownBeat, April, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thursday, October 29, 2015

CD Review: Ella Fitzgerald - Live at Chautauqua Volume 1.

Ella Fitzgerald (vcl); Tee Carson (pno); Keter Betts (bs); Joe Harris (dms).
(Review by Lance).
Recorded on July 11, 1968 at the Chautauqua Institution Amphitheatre in New York and released as the first album of the Dot Time Legends series, we have an album that finds "The First Lady of Song" in good voice, despite the acoustical vagaries that typify concerts in amphitheatres. The opening, It's All Right With Me, sounds as though Ella was at the back and the drummer up front. The voice distant and echoing, the drums overpowering. Fortunately, by the second number - I'm Beginning to See the Light - the sound seems to have been, if not resolved, at least improved and the balance levelled out. Whether this was done on the night or, as the notes indicate, newly remastered with the goal of presenting these recordings in a modern format while striving to keep the original atmosphere of the records.
Whatever, what really matters is the opportunity to hear the most swinging jazz singer ever in concert whilst still close to her peak.
It's 1968 remember and singers, even those of Ella's calibre, had to face up to the challenge of rock and pop and contemporaries less than half her age. To counter this , she attempts to meet them half way. For Once in my Life, taken slower than Stevie Wonder, brings a different dimension to the song but the medley of Sunny and Goin' Out of my Head (You Go to my Head as an intro to the latter is a clever ploy) doesn't quite match the pop versions from Bobby Hebb/Georgie Fame/Dusty Springfield, although I doubt if those artists could entwine the songs the way Ella does - she even throws in Yesterday for good measure - and it got the biggest round of applause! In fairness to Ella, their versions were done in a studio over several hours, maybe even days, whereas this was live - 10 minutes!
However, The Object of my Affection, never previously recorded by Ella, is La Grande Dame at her very finest. A great song, popular when Ella was 17.
Watch What Happens, Midnight Sun, Lady is a Tramp and One Note Samba (fast!) all work - this is the Ella we knew and loved. A Tisket A Tasket may have been overworked by 1968 but it's still being mined by singers today!
I suppose most people remember Ella Fitzgerald from the Verve songbooks, and they are GASbook masterpieces to be filed alongside the definitive Sinatra albums, but this is the real deal. If you heard Ella at Newcastle's City Hall or at any other major concert hall in in any city in the world then this will make those night's come alive again!
Lance.
PS: Needless to say the trio are fine apart from the problems with the drums.

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