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Bebop Spoken There

Jackie McLean: “I can't understand British audiences. In Britain there doesn't seem to be any curiosity." (Melody Maker, April 1, 1961).

Charles Mingus: "It seems to me that if our records were not issued in Britain, the British cats would have to think for themselves" (Jazz News, July 26th 1961)

Archives.

Today Tuesday July 25

Evening
Misha Mullov-Abbado Sextet - Jazz Café, 25 Pink Lane NE25 5DW. 8pm. £10 & £8. JNE gig.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
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Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave., Newcastle NE2 3EX. 8:30pm. £5.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, December 30, 2015

CD Review: Alexis Cairns – This is New to Me

Alexis Cairns (tenor saxophone), Al MacSween (piano), Emlyn Vaughan (double bass) & Kris Wright (drums)
(Review by Russell)
Occasionally, for a variety of reasons, a CD review will bypass Bebop Spoken Here’s all-too-busy editor. Alexis Cairns’ 2011 debut recording This is New to Me is one of them. A graduate of the fertile Leeds scene, Cairns’ album comprises ten original compositions. A bold approach, if ever there was one, to forego at least one or two standards, Cairns had a trump card, maybe two, up her sleeve in being a writer of melodic tunes and in recruiting three fine musicians to work on the project.
The titles of the ten tracks are somewhat enigmatic. The first of them – Third Time Lucky – is an example; perhaps a third, successful take in the studio, or just as likely, something altogether different! Whatever its origin, Kris Wright’s brisk opening drum pattern lays a foundation on which Cairns states the theme, setting up a first solo opportunity for pianist Al MacSween. Just Izz hits on a bass and drums shuffle-funk groove followed by a ballad – the eponymous This is New to Me – which illustrates the range of material on the album recorded at Saville and Chrome Studios, Leeds.
That’s How It’s Gonna Be swings melodically (Wright using brushes), The Visitor takes a lyrical direction with tenor vibrato evident and, in a further twist, Flux Capacitor recalls a smokin’ Ray Charles session. Driving Force takes off in unexpected directions with more than a hint of James Brown about it (an arrangement for horns would be interesting!) led by bandleader Cairns. The CD closes with two lyrical numbers on which Emlyn Vaughan demonstrates his not inconsiderable talents. Indeed all four musicians contribute to Alexis Cairns’ promising recording debut.
Russell.
For further information visit: www.alexiscairns.wordpress.com                                               

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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