Total Pageviews

Bebop Spoken There

Michelle Coltrane: "It was Geri Allen who told me, 'Why don't you work with a guitar player? It's a lot easier. They're mobile, all the pianos are out of tune'" - DownBeat March 2018.

Verneri Pohjola: “I've been trying to get away from being 'a young and promising trumpet player' for over twenty years” DownBeat March 2018.

Today Friday February 23

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Dock in Absolute - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 9:00pm. £10.00. (£8.00 concessions).

James Taylor Quartet - Hoochie Coochie, 54 Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. £16.00. Doors 7pm.

Bullfrog Blues Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Crooners - Forum Theatre, Queensway, Billingham, Stockton on Tees TS23 2LJ. Tel: 01642 552663. 7:30pm. £20.00. Touring comedy Rat Pack production with Chris Hibbard’s nine piece Mini Big Band.

King Bees - Magnesia Bank, Camden Street, North Shields NE30 1NH. 9:00pm. Free.

Shamans Jazz Quartet + Collective Folamour - The Hearth, Main Road, Horsley NE15 0NT. Tel: 01661 853563. 7:30pm. £5.00.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, December 30, 2015

The Glenn Miller Orchestra (Ray McVay, MD) @ Sage Gateshead – Dec 29

(Review by Russell).
The UK Glenn Miller Orchestra directed by Ray McVay returned to Sage Gateshead to play a sold out matinee show. All 1700 seats occupied a matter of days after Christmas was a sure sign of the band’s popularity and, of course, the enduring popularity of their raison d’êtré – Major Glenn Miller.
The tunes, largely associated with Miller, together with a smattering of other numbers, were instantly recognisable, such was, and is, the popular entertainment status of Miller. Caribbean Clipper, I Got a Gal in Kalamazoo, Jumpin’ at the Woodside, number after number, the audience knew them all. The focal point of the performance shifted from a vocalist to a vocalist, to a vocal troupe to a dance troupe. Catherine Sykes, a graduate of Leeds College of Music, shared the spotlight with veteran Colin Anthony. Sykes sang All of Me, Anthony A Nightingale Sang in Berkeley Square. Class performers fronting a big band, they vacated the stage returning from time to time to sing some more favourites.
The Uptown Hall Gang, the band within a band originally created by Mel Powell after Miller's disappearance, played some small group swing, sang a tune or two, and the Jiving Lindy Hoppers bounced onto the stage to inject some vim and pep to proceedings. They had the jive, Jack, and they gave the boys in the band an opportunity to have a blow.    
American Patrol – this was the AAF stuff – and Minnie the Moocher (Alan Berlyn blew trumpet out front), then String of Pearls, then When Johnny Comes Marchin’ Home. The realisation that this was a genuine ‘greatest hits’ affair struck home. MD Ray McVay – a Miller enthusiast if ever there was one – frequently introduced numbers with ‘Another million selling number…’ Second set, more of the same, and no one was complaining! St Louis Blues March, Chattanooga Choo Choo (featuring the Moonlight Serenaders), then some jazz, yes jazz, with Jersey Bounce and the excellent dance steps of the Jiving Lindy Hoppers.
Moonlight Serenade…cheers rang to the echo (‘Aye, when I was a lad…’). And then for something completely different…Colin Anthony paid tribute to Sinatra. Ah, this was an unexpected bonus. A medley comprising classic 50s material (Come Fly with Me) and a great take on New York, New York (perhaps not Ol’ Blue Eyes’ favourite) heard McVay’s band at its best behind the saloon bar vocal ‘These little town blues…
There was more. Pennsylvania 65000 (inevitably), then Runnin’ Wild with guess who? The Jiving Lindy Hoppers, of course! Two and a half hours of music, Sage Gateshead’s audience went home happy, very happy. In the Mood sent them on their way. So, an entertaining afternoon, a trip down memory lane for those who were there first time around, and, for the jazz heads, an education.        
Russell
Ray McVay (MD), Colin Anthony (vocals), Catherine Sykes (vocals), Andy Potts (alto saxophone), Simon Meredith (alto saxophone), Martin Dunsdon (tenor saxophone), Dan Faulkner (tenor saxophone), Loren Hignell (baritone & alto saxophone), Dave Ford (trumpet), Alan Berlyn (trumpet), Danny Hammerton (trumpet), John Hinch (trumpet), Dale Gibson Jnr (trombone), Ray Wordsworth (trombone), Cliff Hardie (trombone), Bruce Douglas (bass trombone), Bunny Thompson (piano), Paul Scott (double bass) & Bobby Cleall (drums); the Moonlight Serenaders; Uptown Hall Gang & the Jiving Lindy Hoppers

1 comment :

Liz said...

times like this when I wish I lived up there, good review Russell

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!