Total Pageviews

Bebop Spoken There

Jackie McLean: “I can't understand British audiences. In Britain there doesn't seem to be any curiosity." (Melody Maker, April 1, 1961).

Charles Mingus: "It seems to me that if our records were not issued in Britain, the British cats would have to think for themselves" (Jazz News, July 26th 1961)

Archives.

Today Sunday July 23

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 2:30pm. Free.
-----
SummerTyne Americana Festival 2017 - Sage Gateshead. Day three of three. Details. From 12 noon all day.
-----
Jason Isaacs Big Band - Hoochie Coochie, 54 Pilgrim St., Newcastle NE1 6SF. 5pm. £16.
-----
More Jam - The Globe, 11 Railway St., Newcastle NE4 7AD. 3pm. Free jam session.
-----
Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jamw. Scott Wall & Charlie Philp.
-----
Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.
Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
-----
Evening
Steve Glendinning Trio - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.
Lee Bates & Billy Newton - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 9pm. Free.
Anth Purdy w support by Siobian Stanley & Friends - Prohibition Bar, Arch 3, Brandling St., Gateshead NE8 2BA. 6pm. Free.
-----
Maine St., Jazzmen - Seaton Sluice Social Club, Collywell Bay Rd., Seaton Sluice NE26 4QZ. 8pm. £4.
-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, February 09, 2017

Southport Jazz Festival : Birmingham Conservatoire Ellington Orchestra - February 5.

MD, Jeremy Price. Featured pianist (Far East Suite), John Turville.
(Review Steve T/Photos courtesy of Neil Hughes © Robert Burns.)
Brexit! Trump! Who cares? Let's have some Ellington. So spoke Jeremy Price and I think we all agreed.
It all began with the rhythm section: piano, guitar, bass, drums, with Price on trombone as the rest of the horns marched in to take their seats, playing as they came: four trumpets, three trombones and five saxes. The festival was gagging for a stage full of musicians, reflected in our appreciation. 
Trumpets are out, one trombone left, down to tenor, cut.
Years ago, when the time came to face the beast, my strategy was to sprawl through multiple box sets and key albums from the mid-fifties onwards, when such things began to appear.
I had decided to not even try to identify pieces, but Price kept it simple, doing them in threes: A Flat Minor, Half the Fun and Harlem Air Shaft; Flirty Bird, Idiom 59 and Koko; Across the Track Blues, Happy Go Lucky and Rockin’ in Rhythm.
A Train to finish and the Ella Fitzgerald arrangement which keeps us waiting for the main melody, and I think I've heard the Durham Gala Big Band do it this way.
They left the way they came in, down to big Jimmy Blanton.
The second set was the Far East Suite, a genius choice, a seriousambitious and difficult late work. Across the two sets we were given a wonderful contrast between early Ellington, which established him as the maestro for many of the greats (Miles, Mingus, Gil Evans, Cecil Taylor, Archie Shepp) across countless short pieces, in keeping with the technology of the times, and Ellington the elder statesman, highly respected as one of Americas greatest ever composers, in the era of the fortyish minute album.
The musicianship, from fourth years to first years, was of an astonishing level, with not an ounce of slack anywhere. Special mention of Sam Wright, swiftly switching between tenor and clarinet, and the only lady on the stage, which was something of a theme for the day. And my journey towards total acceptance of the clarinet continues.
I came out in search of a pee and a pint but everywhere was deserted: the loos, the lounge, the corridors, the bars, the only occasion this happened over the two days.
Back in the hall, the applause was raucous, encouraged by Price doing a brilliant job with the announcements, encouraging us to ease up on the reverence, smiling faces and thumbs going up across the room.
Appropriately it was Sam Wright’s clarinet that finally brought things to a close.
I've no doubt many there would have had this as the gig of the festival. 
Photos.
Steve T.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!