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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Wednesday November 22

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

BBC Big Band - Middlesbrough Theatre, The Avenue, Middlesbrough TS5 6SA. 01642 815181. 7:30pm. £24.50.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, February 13, 2017

Southport Jazz Festival: Dixon, Edmonstone, Walker Quintet - February 5

Iain Dixon (sax), Malcolm Edmonstone (piano), Mike Walker (guitar), Steve Watts (bass), Steve Brown (drums).
(Review by Steve T)
Insomuch as I still have (or ever had) such things, Mike Walker is probably the nearest thing I have to a current day Jazz hero. Normally I'm perfectly happy to chat with the stars and generally make an a$$ of myself, but I kept a reverential distance from him.
The first piece had the formidable sax/guitar frontline playing the head, the rest equally strong and we were straight into a Mike Walker solo, then alto, some tasty piano dipping in and out throughout. Bass solo and fours with sax, guitar and piano, Walker changing the sound each time with his box of tricks.
I couldn't quite follow the introductions but I know there was something from Kenny Wheeler which may or may not have been, as Dixon doing the announcements said, something we're all in which, given Bexit/Trump was a recurring theme throughout the festival, was probably the sh!t. 
Ladieand/in Mercedes, All the Things You Are (I think), dazzling displays of virtuosity all round and drums prominent throughout. I Fall in Love Too Easily, some perfectly pitched brushwork behind lovely piano by Edmostone, depping for injured Les Chisnall and ending with extended lone sax before drums came clattering back in followed by piano and guitar, sax still blaring and my notes say it had transformed into (would you believe) All the Things you Are. Clearly starting to catch up with me.
Piano and drums dropped out leaving some extraordinary interplay between the remaining three when the sitting came back in and away it went again.
Passion Dance by Joe Henderson and I love it when the sax just goes and goes and keeps on going, the rest firing on all cylinders behind. A final, extended solo from Walker, a final dip into his box of tricks and the audience clearly in disbelief, after two days of amazing stuff, Iain Dixon almost unable to contain himself, though he must have heard it many times before. A Jazz- rock jam-out, which could have been Mahavishnu or Zappa at his Jazz-rockiest, though without the Hendrixesque excesses McLaughlin could be prone to on occasion.
Can you imagine missing that?, a lady in front said to me and I felt FDTs pain, more so than when he missed his tutors and more than when he missed his fellow students.
If you want to ensure your kids keep in touch with you, go to a Jazz Festival they'd give their right leg (retaining their playing arm) to be at.
Roll on next year.  
Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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