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Bebop Spoken There

Howard Riley: “When I started out playing jazz back in the late 50s, early 60s, if you wanted a gig you had to learn some standards.” – (Jazz Journal April 2017)

Eric Harland: “I love swing and I’m always going to swing but I also know that you can take a hip-hop groove and improvise with that just like you would with a swing pattern.” – (Jazz Journal April 2017)

Today Wednesday April 26

Afternoon.
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm. £3.00.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, February 16, 2017

Take it to the Bridge @ The Globe. February 15

(Review by Russell/photo from archive)
Take it to the Bridge. Dave Weisser’s weekly workshop session has long since become a Tyneside institution. The spoils are scant, participation is reward in itself. Proceedings at the Jazz Co-op’s Globe premises got underway more or less on time – there is a vintage poster in the archives advertising the start time as ‘8.00pm-ish’ – with an octet playing an invigorating All the Things You Are.
Up jumped Rachel Richman to make it a nonet and a quick change in the drum chair with the redoubtable Norman Redhead graciously insistent that Matthew Fairhurst should take his place and we were off again with Weisser taking the vocals on Dindi. The double alto horns – Jude Murphy and Rachel Richman – took on Michael Brecker’s Midnight Voyage with Messrs Weisser and Ray Johnson in support. The inevitable round of solos can make for a frenzied atmosphere and it was down to Richman to bring about a more relaxed vibe on perhaps the tune of the night – I Thought About You (Weisser muted, Murphy on flute).
The Jazz Co-op’s hand-pull (beer) wasn’t available. A bottle of Black Sheep a good alternative, the raffle won by the barman (stewards enquiry!), and here’s one for the stats geek…Phil, as ever, doing the door, and bassist Jonathan Proud share the same birthday. What are the odds in a gathering of fifteen? Someone suggested a chorus of Happy Birthday. J. Proud, not sighted since his Legohead days, was looking to play some jazz and it can be reported he has lost none of his considerable technique. Tuesday’s Jazz Café jam session may well be graced by J. Proud.

Love for Sale (JP’s solo, Weisser’s vocal), a Freddie Hubbard waltz (Ray Johnson doing the business, likewise new boy, guitarist Pete Bennett), Murphy, flute, on A Foggy Day, it turned out to be a canny session. Blue Monk (all on the money including Roy Stephenson, guitar and veteran pianist Barry Ascroft) a highlight, almost time to go, but not before the multi-talented Jude Murphy’s impromptu scatted chorus on All of Me and Footprints. The Take it to the Bridge session will be at the Jazz Co-op’s Railway Street HQ next week, as usual, at eight o’clock (ish). Before then, the Globe on Saturday (18th) is the place to be to hear the supercharged Strictly Smokin’ Big Band working in the company of trumpet superstar Bruce Adams. The band, Adams, Alice Grace…start queuing now!  
Russell.   
Dave Weisser (cornet & vocals), Ray Johnson (trumpet, flugelhorn & congas), Jude Murphy (alto saxophone, flute, shakers & vocals), Rachel Richman (alto saxophone), Roy Stephenson (guitar), Pete Bennett (guitar), Barry Ascroft (piano), Jonathan Proud (bass), Norman Redhead (drums) & Matthew Fairhurst (drums)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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