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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Wednesday November 22

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

BBC Big Band - Middlesbrough Theatre, The Avenue, Middlesbrough TS5 6SA. 01642 815181. 7:30pm. £24.50.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, November 08, 2017

Jam session @ The Jazz Café - November 7

Joel Byrne-McCullough (guitar), Paul Grainger (double bass) & Rob Walker (drums) + John Wilson (guitar), John Pope (double bass), Ray Johnson (trumpet), Joel Brown (piano), George Sykes (tenor saxophone), Hazem Mohammad (drums), David Gray (trombone) & Ian Forbes (drums)    
(Review by Russell)
Days after November 5th this Jazz Café jam session produced fewer fireworks than usual. Perhaps the lack of horn players had something to do with it. Trumpeter Ray Johnson led the frontline on his own for quite a while until reinforcements arrived in the form of first-timer George Sykes, tenor, and the all-action David Gray, trombone. Young Joel Brown waited his turn, and veteran modernist Ian Forbes hung around long enough to take a spell behind the traps.

Respected guitar tutor John Wilson made an all-too-rare appearance sitting alongside fellow guitar wiz Joel Byrne-McCullough making his long overdue debut leading the Pink Lane jam session. The duo enjoyed playing a few tunes together supported sensitively by mainstay bassist Paul Grainger and drummer Rob Walker. Secret Love heard our guitarists swapping non-competitive solos, each appreciative of the other and on Mercy Mercy Mercy Byrne-McCullough found the space and time to fleetingly quote…oh, what was it? The Mahavishnu Orchestra’s Sister Andrea? Surely not!

All the Things You Are (what a tune!), followed by student George Sykes making his debut on Pink Lane playing old school tenor on There Will Never be Another You and with him fellow student, the returning Hazem Mohammad on drums. Ray Johnson led the line with some purposeful playing on Softly, as in a Morning Sunrise and by this time sixth former Joel Brown had squeezed behind the seated Byrne-McCullough to play some Monkish piano at the upright. Stolen Moments wobbled a little bit here and there. A masterful take on Oliver Nelson’s tune at a jam session would take some doing!

David Gray had a blast on A Train and Joel Brown’s growing confidence mixing it with experienced musicians was evident in his intro to Misty. As closing time approached David Gray launched into Straight No Chaser eliciting the cry F****** hell! from someone on the stand. Things were hotting up with minutes to go! ’Til next time, that’s Tuesday 21 November, eight o’clock to be sure of a seat.
Russell 
                

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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