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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Wednesday November 22

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

BBC Big Band - Middlesbrough Theatre, The Avenue, Middlesbrough TS5 6SA. 01642 815181. 7:30pm. £24.50.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, November 01, 2017

Lindsay Hannon Plus ‘Make Dark Heaven Light’ album launch @ The Lit &Phil October 28

Lindsay Hannon (vocals); Mark Williams (guitar); John Pope (bass); Russ Morgan (drums)
(Review by Steve H/Photos courtesy of Ken Drew) 
The Lit and Phil once again played host to a Lindsay Hannon Plus album launch. Personnel changes from the first album saw Russ Morgan on drums replace Tom Chapman whilst James Harrison was replaced by guitarist Mark Williams. The ever-present John Pope on double bass displayed his loyalty by sporting the same shade hair colour as the band leader.

A short set of old favourites: a couple of Joni Mitchell tunes (Hissing of Summer LawnsMain Street),  a Pat Metheny number and Monk’s In Walked Bud got the capacity audience nicely warmed up. The second set saw the unveiling of songs from the new album. Three moving, autobiographical, originals: Everyone, Maths & Morning Revisited (lyrics by Hannon, music by Williams) got things underway. The mood didn’t really get any lighter as versions of Miss Otis Regrets and Robert Wyatt’s Sea Song followed.
Back to back Romeo songs proved not to be the tragedy the Shakespeare might have intended as Mark Knoffler’s Romeo and Juliet was succeeded by Tom Wait’s Romeo Lies Bleeding with great aplomb. The setlist might give the impression that anyone not in tears by the end of the evening was a cruel and heartless misanthrope but nothing could be further from the truth since the quality of both material and performance couldn’t fail to entertain.
The band was remarkably slick almost too slick for my liking. Mark Williams is a great guitarist but I felt he was a little bit too confined in this format and therefore not really given the room to produce his customary explosive solos.  
I am not quite sure why the Lit and Phil was selected by JNE for this launch given that the grand piano lay untouched in a corner of the room. A more club-like venue with softer lighting would have been far better suited to the sultry soulful style that singer Hannon so brilliantly purveys.
The evening concluded with Carlos Jobim’s cheerful upbeat number No More Blues featuring some great work on drums from Russ Morgan. A fitting and joyful ending to a hugely successful evening but you don’t have to take my word for it buy the CD  and you too can experience ‘earth treading stars that make dark heaven light’.

Steve H

1 comment :

Jazz Coop said...

All four of them were indeed 'earth treading stars' that night, and the emotional impact at the end of this superb gig was definitely 'such sweet sorrow'.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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