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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Wednesday May 23

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, 11 Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00. (Upstairs).

Jam Session - Dun Cow, Brandling Village, Jesmond, Newcastle NE2 4RS. 8:00pm. Free.

Community Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 23, 2018

Jam Session @ Dun Cow, Jesmond - May 23.

Mark Williams (guitar); Paul Grainger (bass); Russ Morgan (drums) + Kay Usher (violin); Paul Ruddick (alto); Matt MacKellar (drums); Kevin Green (soprano); Pete Gilligan (piano); Dan Garel (alto).
(Review by Lance).
There comes a time in a person's life when he or she realises something special is happening. In music, and jazz in particular, that moment sometimes happens and sometimes it doesn't.
Tonight it happened!
The jam was progressing nicely. Mark Williams, at his most sensitive, got the set underway with I Should Care and all three slugged it out on Solar culminating with a knockout solo from Russ - Solar power indeed!
Kay Usher swung On the Sunny Side of the Street following up with a faster than usual Willow Weep For Me- it worked.

Tuesday, May 22, 2018

Remembering Kay Rouselle

Drummer/Bandleader Ian Lawrence (Stocks) sent me this photo of the late Kay Rouselle singing with his big band and remarking that he rarely hears mention of her these days which is a pity as, at one time, not only was she winning beauty contests but also went on to become possibly the best vocalist to sing with the Don Smith Band at Newcastle’s famous ballroom, the Oxford Galleries.*
Ian believes Kay’s last big band gig was with his band. She sang with the band for a number of years playing gigs in both England and Scotland.
Although the band included many top local musicians such as Ray Harley and Arthur Mowatt, it didn’t, says Ian, stop Kay speaking her mind if she thought something wasn’t being played right.

Jazz in the Afternoon @ Cullercoats Crescent Club - May 21

Herbie Hudson (trombone, harmonica, vocals); Brian Chester (keyboards, trombone); John Carstairs Hallam (double bass); Fred Thompson (drums) + Roy Gibson (keyboards); Teresa Armstrong (vocals); John Broddle (vocals)
(Review by Russell). 
Blue skies at the coast! Folk paddling in Cullercoats Bay, some exploring Smuggler’s Cave others out at Crab Hill, a rare warm afternoon down at the coast. Meanwhile at Cullercoats Crescent Club if it’s a Monday it has to be Jazz in the Afternoon. JITA isn’t exactly JATP but its longevity has put the once thriving fishing village of Cullercoats on the jazz map. One o’clock in the bar, a choice of toasties, chips, a pint courtesy of one of the many local micro-breweries – on this occasion Queen of the Nile from the High Spen-based Olde Potting Shed Brewery.

CD Review: Jamie Shew - Eyes Wide Open

Jamie Shew (vocals, arrangements); Larry Koonse (guitars); Joe Bagg (piano and Hammond B3); Darek Oles (bass); Jason Harnell (drums)
(Review by Ann Alex).
‘This one’s a cracker’ said Lance as he handed over the CD, and it certainly is. Yet I reckon that it’s a miracle that it was ever made, as it’s literally a labour of love. Jamie Shew uses song to tell the story of her 20 year relationship with her husband, bass player Roger Shew, who sadly died of cancer. She traces their lives together in music, with good taste and a lack of sentimentality, and even manages to look to the future.

Monday, May 21, 2018

RIP Tony Pringle

John Carstairs Hallam has informed me (via Russell) of the death of Liverpool born/Massachusetts based cornet player Tony Pringle of the New Black Eagle Jazz Band. 
I must confess to being unfamiliar with him. Did he ever play at any of the Whitley Bay Jazz Festivals/Jazz Parties I wonder?
Reading his obituary in the Syncopated Times, which also included his own memories of those early days where he recalls how he got into jazz, I found myself in agreement with him when he wrote that being a jazz fan was like catching an obstinate bug that stays with you forever. 
It didn't matter that his obstinate bug was of the vintage New Orleans variety and mine was hatched on 52nd St. the end result was the same - incurable!
Tony Pringle passed away on May 4, aged 81. and will, I'm sure, be sadly missed by all who knew him.
May he Rest In Peace.
Lance.

Alter Ego @ The Black Bull, Blaydon - May 20

Keith Robinson (alto saxophone), Niall Armstrong (tenor saxophone, flute), Dave Hignett (trumpet, flugelhorn), Andy Hawking (keyboards), Tony Abell (bass) & David Francis (drums)
(Review and top right photo by Russell/other photos courtesy of  Roly). 
Following an absence, Tony Abell returned to the fold, reuniting with his Alter Ego bandmates at the Black Bull in Blaydon. It was as though he’d never been away. The sun shone over Blaydon, just as it had done all week. The pub’s beer garden, perched high above the Tyne Valley railway,   came into its own on an evening such as this. Singer-guitarist Gareth Beddard was just wrapping up his set to an appreciative beer garden audience as the Alter Ego boys went about their sound check in the adjacent lounge.

The Bud Plus: Budtet @ The Globe Jazz Bar - May 20

Stu Finden (tenor); Fiona Finden (sop/vocal); Jude Murphy (alto/flute/vocal); Dave Weisser (cornet/vocal); Lin Lee Wong (piano); Andrew 'Drew' Porritt (bass); Eric Stutt (drums).
(Review by Lance).
Budtet's guitarist didn't make the gig. Understandable as Budtet were a last-minute replacement after the all-girl Break Out Brass Band pulled out. So the octet became a septet albeit, like the band they were depping for, still with a strong - if not total - female presence.
The plus factor did remain with the addition of the legendary Dave Weisser playing muted cornet and singing in his inimitable way.
However, the star of the evening was the departing keyboard player, Lin Lee Wong. Ms Wong will be missed by both band and audience. Her final chorus on A Train a timely reminder of what we're losing.
The additional voice that Weisser's cornet brought filled out the front line giving Boplicity an ensemble sound that rivalled the original Miles Davis' Birth of the Cool recording.

Sunday, May 20, 2018

CD Review: Mark Kavuma - Kavuma

Mark Kavuma (trumpet); Mussinghi Brian Edwards, Ruben Fox (saxes); Artie Zaitz (guitar on 3 tks); Reuben James (piano); Conor Chaplin (bass); Kyle Poole (drums) + Michela Martin Lerman (tap dance on 1 track).
(Review by Lance)
"They resemble the finest amalgam of 50's Blue Note and Prestige line-ups" so said guitarist and sound engineer, Zaitz. It was enough for me, I was halfway there before I'd heard a note! I've spent the past couple of months playing Blue Note CDs on the car stereo so I've got plenty to compare with.
In a blindfold test, I'd have been fooled completely, convinced it had been recorded by the late Rudy Van Gelder in his Hackensack, NJ, studio as opposed to on board a ship moored on the Thames in East London!*
Maybe Lee Morgan, Freddy Hubbard or Donald Byrd blowing alongside Benny Golson, Jackie McLean or Stanley Turrentine. I can almost see the Blue Note honchos Wolfe and Lyon nodding their heads approvingly - just as I'm doing as I listen.

Alex Hitchcock Quintet @ the Jazz Café – May 17

Alex Hitchcock (tenor sax); James Copus (trumpet & flugelhorn); Will Barry (piano); Jay Davis (drums); Conor Chaplin (bass)
(Review by Steve H/Photo courtesy of Ken Drew) 
This was the third time in a week that  I had attended a Jazz North East gig. The first two, Deep Cabaret and Malby, Bonnet & Darrifourcq, although completely different in content, were both absolutely superb. Could the last in the triumvirate match the variety and quality of its predecessors? I am very happy to report that it did so and in spades. Although possibly the most conventional of the three, the jazz being of the ‘straight ahead’ type,  the enthusiasm and the calibre of both the music and the performers made it another night to remember.
All five were marvellous, from Hawkins’ very first tenor solo, Gift Horse, onwards.

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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